My second job as CG Supervisor (running in parallel with work on Australia) involved, apart from the usual general production pipeline work, making sure we could deliver a bunch of full cg city shots as well as a whole set of digital set extensions.
Unusual for a VFX production was the amount of creative freedom - allowing us to develop stylized looks for the scenes. One sequence involved splashing lots of cg blood around in a Japanese tea room - while not shown in this form in cinemas, it might make it onto an unrated DVD.
Lot's of info here: CG Society, VFX World
Shot Breakdown: RSP
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